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Sound Collage
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| 流派定性 | 风格(Genre)/技法(Technique) |
|---|---|
| A.K.A. | Sonic Collage, Sound Montage |
| Origin | Experimental, Tape Music, Electronic, Musique concrète, Electroacoustic, Turntable Music、Free Improvisation, Noise, Field Recordings |
| Influence | Break-In, Plunderphonics, Experimental Plunderphonics, Industrial, Hauntology, Epic Collage, Deep Internet |
介绍
声音拼贴（Sound Collage）是一种强调采样元素粗犷叠加的创作方法，为听众呈现出与视觉艺术拼贴相似的印象。作为实验（Experimental）电子（Electronic）艺术形式的声音拼贴可追溯至20世纪20年代末，由先锋派电影导演Walter Ruttmann的《Wochenende》开创。Charles Ives的《Central Park in the Dark》被视为重要先驱作品，其创作时间早于20世纪10年代初的视觉艺术拼贴。
代表专辑：《大友良英(Ground-Zero) - 革命京剧(Revocability Pekinese Opera)》。
例曲
When - The Black Death
Merzbow - This Dying Toad Become Forthwith Like Coal for Colour Black (Japanoise)
Ground-Zero - Consume Mao (Plunderphonics)
The Caretaker - Stage 5 Advanced Plaque Entanglements 2 (Noise, Dark Ambient, Glitch, Turntable Music, Hauntology)